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A New Zealand seadog believed lost aboard a small yacht within the hurricane-swept North Atlantic resulted in alive and well today in Portmagee, Ireland. Frank Cooper, 62, didn't know three nations were searching for him as well as the 10-metre Golden Eagle. Waves were 100 to 150 metres apart, with crests of between seven and nine metres. On August 21 Cooper sailed away from Bermuda, crewing because of its owner, 70-year-old Norwegian Arvid Moe, who was simply taking the cutter to his home in Bergen. The boat had a VHF radio with a range of around 80 kilometres no long range radio. He used a lot of the diesel aboard to motor-sail up into northern latitudes where he expected westerlies. Cooper said the Golden Eagle was small. Winds were around 60 knots, which Cooper seen as greater than a strong breeze little. Once the boat didn't ago reach Ireland fourteen days, a search was launched by Norway, France and Ireland amid fears that they had been caught within a hurricane.



Cooper did not believe they were in trouble but the owner hadn't allowed for your vagaries of weather. It was just amazing. I deliver boats, I build boats, I rebuild boats, I design boats, I build guitars, I make custom made furniture, I do bars, make bar-tops, custom woodwork for houses. Whatever occurs it is done by me. To me it had been just a case of we got here, thank God we here are. I usually carry my very own, I have my own delivery kit. He believed that passage would last 25 days. Golden Eagle, launched in 1976, was a staunch boat. I had been counting on a fancy $3000 Garmin chart plotter and it shit the bed about 10 days ago. The local press greeted him Instead. He had ensured they had plenty of food aboard. Now in a waterfront lodge he got what he wanted sorted quickly. Cooper said he ended up running the boat solo day and night. GPS, charts, and different other things I want.



Top 10 Videos - Unbelievably Simple DIY Wood ProjectsWood carving is a form of woodworking through a cutting tool (knife) in a single hand or a chisel by two hands or with one hand on the chisel and one hand on the mallet, resulting in a wooden figure or figurine, or within the sculptural ornamentation of a wooden object. Outdoor wood sculptures do not last long in most parts of the global world, so it is still unknown the way the totem pole tradition developed. Many of the most important sculptures of Japan and China, in particular, are in wood, and so are almost all of African sculpture which of Oceania and other regions. The phrase may also make reference to the finished product, from individual sculptures to hand-worked mouldings composing section of a tracery. The making of sculpture in wood has been widely practised extremely, but doesn't survive undamaged as well as the other main materials like stone and bronze, since it is susceptible to decay, insect damage, and fire. Therefore, it forms a significant hidden element in the creative art history of several cultures.



Wood is light and can take very fine detail so it's highly ideal for masks and other sculpture intended to be worn or carried. In England, many complete examples remain from the 17th and 16th century, where oak was the preferred medium. Some of the finest extant types of early European wood carving are from the center Ages in Germany, Russia, France and Italy, where the typical themes of this era were Christian iconography. V-tool: useful for parting, and using classes of flat work with emphasizing lines. U-Gauge: a specialized deep gouge with a U-shaped cutting edge. The oldest wood carved sculpture, the Shigir Idol carved from larch, is around 12,000 yrs . old. Additionally it is easier to focus on than stone. A special screw for fixing work to the workbench, and a mallet, complete the carvers kit, though other tools, both adapted and specialized, are used often, such as a router for bringing grounds to a uniform level, bent gouges and bent chisels for cutting hollows too deep for the normal tool.



The nature of the wood being carved limits the scope from the carver in that wood projects is not equally strong in all directions: it is an anisotropic material. Less commonly, this same principle can be used in solid pieces of wood, where the fork of two branches is utilized for its divergent grain, or a branch from a larger log is carved into a beak (this was the technique useful for traditional Welsh shepherd's crooks, plus some Native American adze handles). It is smart to arrange the more delicate parts of a design along the grain rather than across it. Often, however, a "type of best fit" is instead employed, since a design could have multiple weak points in different directions, or orientation of the along the grain would necessitate carving detail on end grain, (which is considerably more difficult). The direction in which wood is strongest is named "grain" (grain could be straight, interlocked, wavy or fiddleback, etc.). Carving blanks may also be sometimes assembled, as with carousel horses, out of many smaller boards, and in this way, you can orient different regions of a carving in the most logical way, both for the carving process and for durability.

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